Mimetic Violence in The Road Essay Example | Topics and Well Written Essays - 750 words

Mimetic Violence in The Road - Essay Example They work towards getting what they desire, and when they eventually get it, it becomes apparent that they seem to desire the possessor of the object also, not just the object. The second stage is Mimetic Rivalry. At this stage, the desire becomes so strong that it begins to reveals its violent side. At the Skandalon or Scandal stage, the violence has become so immense that it is capable of disrupting the life of an entire community. The situation becomes so scandalous that it becomes very difficult for the players to give up. Scapegoating stage, the fourth, is where a victim is picked and blamed for the sad turn of events. This is the stage where peacekeeping finally fails. Then the final stage which is known as Sacred Violence comes; the scapegoat is punished, most times killed, supposedly at the command of a god. But this doesn’t end the violence. It gives rise to persistent mimetic violence. There are different types of mimetic violence but one feature common to all is tha t the minority in the society are often the scapegoats. In some cases, it is the women. In others, it is the poor. Generally, the scapegoats are those that are not considered to be indispensable in the society. Examples of Mimetic Violence The examples of mimetic violence abound. A typical example is when politicians contest for elective offices. All the stages of that come before mimetic violence are all experienced. Even though in some climes, people are not killed during electioneering, the level of competition still reflects mimetic violence. However, in many places like Africa, during political strife, the mimetic stages eventually arrive at the level of violence. Another example of Mimetic Violence is that which is encountered is found in William Shakespeare’s play â€Å"Hamlet.† Mimetic violence also develops to its final stages in the play. Hamlet and his Uncle, Claudius, try to skim out each other (for the prize – the throne). The situation at the end b ecomes very bloody as both of them get killed. However, it seems Hamlet remains the hero while Claudius is the scapegoat. Examples and Usage of Mimetic Violence in Cormac McCarthy’s The Road Before much analysis is done on how mimetic violence plays itself out in the novel, it must be clearly stated that the third person narrator in the novel uses such expression like â€Å"the man†, â€Å"the father† and â€Å"the boy† to refer to the fact that the characters represent any member of the human society. Hence, all the characters are involved in mimetic violence in at least one stage. One of the earliest revelations of mimetic violence in the novel is depicted when the boy and his father leave their original home to embark on a journey because they needed to survive. The fact that the circumstance in their original place had ceased to be welcoming reveals the high play of mimetic violence. Recognizing how hopeless their situation is, the man’s wife c ommits suicide; that is mimetic violence. One cannot but wonder why it is the woman that had to sacrifice her life. Why is it not the man that had to commit suicide? That question should actually be directed at the author. The choice of the woman as the one to commit suicide is a depiction of how the people who are considered to be less important than others are the

Linguistic Commentary Essay Example | Topics and Well Written Essays - 1000 words

Linguistic Commentary - Essay Example As Professor Christopher John Poutain (2005) explains it, there can be three types of linguistic acceptable variations: "Acceptability may vary with a number of factors, including place (DIATOPIC variation), social group (DIASTRATIC variation) or time (DIACHRONIC variation)." In the present case, we have a diastratic variation as the boss represents a social group a lot different from the workers' group. We can see that their Spanish is quite different even though they seem to understand each other very well. As we know, the concept of linguistic competence means in pragmatic terms that there is no register better than others as long as communication is established among them. In this fragment we can note a great difference between the boss' Spanish and the workers' Spanish. Spanish is a language of constant changes as Professor John M. Lipski (n. d.) stated in one of his papers: "Spanish -a language spoken on every continent- is the product not only of its Peninsular heritage and of internal evolution, but also of a variety of language contacts, with indigenous languages, languages of forced immigration (the slave trade), and of voluntary immigration." The present fragment is a good example of the many changes that Spanish has experienced along the years. Another distinctive feature of this fragment is the vocalization and th... The boss also uses some of this broken Spanish words when he changes his register. An interesting feature is the pejorative language used by the administrator: "rotos de michica" (l. 7), "fuerino sinvergenza" (l. 17), "sinvergenzas" (l. 18). As he is mad, he uses this kind of language as a way of getting even on the workers. On the other hand, the use of colons speeds up the narrative in lines 25, 26 and 27. The narrator is omniscient. It is narrated in the third person singular. The register of the narrator's speech is standard Spanish. In lines 20 and 21 the narration is very agile: "como un mvil punto obscuro que alejndose se empequeeca". It is also very graphic as we can see the little dot getting smaller with the precise wording of the narrator. This fragment has two distinct parts: one narrative part and one dialogues part. The narration is very concise and explanatory as it gives interesting details of the motives behind the dialogues. It is also very descriptive, especially when it says in lines 12-14 the following: "hablaba ahora a Segundo, que entontecido por su mirada roja de ira, con movimiento de pndulo mova acompasadamente el cuerpo." In these lines we can see the use of a very appropriate metaphor: "pendulum's movement", when referring to the oscillating movement of Segundo's body. The narrator also makes emphasis on the wrath of the administrator. He says that his "glance was red by the wrath" (l. 13), and this image is very graphic and quite appropriate to describe the mood of the boss. But it is relevant to note that there is a change in the color of his glance due to the same wrath. In line 13 it is red,